Category Archives: Blacks

Exploring Blackness

Earlier this month I published a blog for my organization that outlined the monolithic and capricious way America celebrates Black history – with decontextualized, corporate commercials and signage that limits the scope of identifiable, progressive Blackness to a single heritage month. With that discussion, came the suggestion to explore Blackness and experiences with Blackness with more care, paying attention to the uncomfortable but important details that mantle the plight of the black experience in America. 

Although I won’t share it in its entirety, my experience is first hand. It is also acutely intersectional. I want to preface it by acknowledging that my privilege both allows me to tell of my experience and use technology to share it with the world.

As a Black, queer feminist, my experience with Blackness has been multi-faceted. It has proven to be both sentimentally joyful and heart wrenchingly painful – an antagonistic relationship between several identities vying to occupy space in the same body. The mental elasticity it has taken to not compartmentalize myself into biddable parts is chokingly exhausting. My identities are not mutually exclusive. Although I’ve been relegated to a social deviant by some and an angry Black woman by many, I’ve managed to forge my way into a non-compliant existence where I believe my voice is being marginally heard and sometimes appreciated. The space in-between is where my privilege ends and my identity becomes a knotty annoyance that consigns me to the likeness of a quietly reprimanded child. In exploring my Blackness, it has become real to me that many believe I am not an expert in my own experiences – that others can tell my story better than I can. 

You’ve been told about my experiences a thousand times. Politicians and the media have deconstructed my existence, peeled back my layers, and put me on display for centuries. They say I’m a self-sabotaging, resource draining welfare queen. I’m the parent of many but a mother to few. I’m lazy, undeserving, sexually insatiable, exploitive, and I know little about myself and my body. I’m uneducated, ill-mannered, and a drain on society –so are my children. If I do manage to beat these odds, I am difficult and irrational. I am successful but only marginally so because I am unmarried and unable to find a man who is willing to compromise his sanity to be my partner. I am lonely and sad.

For me, none of this is true. This woman is mythical – as real as the mermaid unicorn hybrid that puts a dollar under your pillow and presents under your tree. But this is my experience with Blackness. It is countering the narrative of a story that is told on my behalf so I can’t tell my real story; the story of a self-sufficient, resilient, loving, and appreciated Black woman who is tangible and human. The story of a woman who is sex positive, practices yoga, and has made the self-determined and conscious choice to both be queer and not yet a parent.

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This is MY Black history, not yours

Black Women Writers– a timeless book that lays perched on my teeming bookshelf, tattered pages strewn with notes, insignificant to the naked eye. This critical evaluation of Black literary brilliance, that assesses the works of women like Toni Cade Bambara, Audre Lorde, Sonia Sanchez, Alice Walker, and Gwendolyn Brooks, is my Black history. I carry this history with me everywhere I go, indulging in the fictional genius and immeasurable talent of women who look like me and with whom I share the passion for the art of literature. This history fuels my creative prose and for it I am infinitely grateful because without it, I can’t be sure of where I would find my inspiration. But this is my Black history – not yours.

Black history month is proof of America’s obsession with pacifist behavior. A sweet cyclic muse that we court each February, exploiting the notion that Black history is a subgenre of American history and therefore can be relegated to a month filled with partial truths — one short, concentrated heritage month spent divulging stories that have been diluted due to an overwhelming feeling of White guilt.  This guilt urges historians to hide the truth and tell only those heroic tales of Blackness suitable for their grandchildren’s ears. This is not my Black history.

Each of us enters February anew. A month that begins and ends just like the others, with affixed holidays, anniversaries, and birthdays. Guilt, tradition, and a fear of discriminatory reprisal will lead teachers and the media to communicate misbegotten lessons that highlight the importance and relevance of Black people and our contributions, but we don’t have to bite. We don’t have to agree to learning only the lessons that post-racialists deem relevant to teach — a watery, fetishized skeleton of what is one of the most potent and vital legacies in American history.

My Black history, the one I celebrate every day, is intoxicating. It’s too vast, too compelling, and too detailed to fit into my pocket or yours. My Black history is shiny. It sparkles with glitter and gold. It’s feminine, mysterious, and integral. My Black history has many names: Baldwin, Carver, Chisholm, Hamer, Baker, and Douglas. It has been recorded and retold in many voices, through many narratives, and doesn’t consent to being muddled under the pretext of comfort. My Black history is tall, dashing, and poised. My Black history is not easily oppressed because it is fundamentally weaved into the foundational fabric of America.

Today, history is being strategically decontextualized. States like Texas and Tennessee are fighting to ensure that children learn only what’s easy to digest – only what feels comfortable and nothing more. This certainly isn’t my Black history because in addition to all of the above-mentioned qualities, my Black history is rooted in suffering and sorrow. It can be a sad, heartbreaking tale of death and destruction that weeps angrily. Its unembellished, uncovered body bares deep scars of a long, unforgiving, and vicious experience– an experience that cannot be denied no matter the amount of discomfort it causes, and an experience that cannot be commercially highjacked or co-opted and then slanted into agreeable information.

We are each responsible for our own awareness of history. The vitality of it is subjective. Black history isn’t an impartial regurgitation of facts and ideas; it is a cultural experience that has shaped the lives of not just Blacks but everyone born in this country. It is no less culturally important than other histories. In fact, it is the collective struggle that helps us transcend the idea that our cultural legacies be confined to heritage months.

My Black history is my own. It is the lessons I know to be true despite the constant denial.  I will tell this history to anyone who asks, anytime of the year because my history isn’t a small compliant space. It is shiny and glittery and it sparkles, everyday.


The color of justice: State-based legislation dangerous for people of color

Originally posted at: www.reproductivejusticeblog.org

 

Disclaimer: I believe, wholeheartedly, in the rehabilitation of formerly incarcerated people and of the welcoming them back into society to participate fully and reach their full potential. I am unreservedly anti-prison and anti-death penalty.

I frequently make the case that technology and social media have propagated, and with the option of anonymity, even encouraged racist behavior. We see it every day in trending topics on Twitter or read about it on websites like Microagressions.com. But something else that technology has provided is the ability to see, without looking very hard, the color of justice. The unjust execution of Troy Anthony Davis, who was convicted of killing a Savannah police officer over two decades ago but maintained his innocence until his dying moment, brings to the forefront the racial inequity that is sewn irreversibly into the moral fabric of this countries value system.  

 This morning I came across the story of Bruce Reilly. Reilly is a White man from Rhode Island who in 1992 pled guilty to murdering a community college professor and served only 12 years of his 20-year sentence.  He is now a first year student at Tulane Law School, an advocate and a writer. Reilly works to help formerly incarcerated people readjust and find jobs once they’re released.  This is good. Reilly committed a crime, pled guilty, rehabilitated himself (whatever that means) and is now pursuing his dreams of becoming an attorney. Great!

 What is not great about this is the precarious inequality of racial bias between the two cases that is being permitted under the pretext of state-based legislation.  Reilly’s guilty plea meant little effort for the prosecution in Rhode Island to surface evidence or determine culpability.  The evidence against Davis was suspicious and with seven of the ten witnesses recanting or changing their stories more time should have been spent reevaluating the case. All evidence aside I acknowledge that these are two different cases in two different states with two different sets of circumstances but the indication here is that state based laws that unfairly target people of color need to be harshly reexamined in an effort to form collective judicial parity. What if Reilly had been a Black man living in Georgia at the time of his crime? Would he have faced the death penalty? If Davis were White in Rhode Island, would he still be alive? States should be able to maintain their legal and judicial autonomy but delivering harsher sentences for felons based on race under the pretext of state-based legislation is unconstitutional.

 Troy Davis may or may not have committed murder. Bruce Reilly definitely committed murder. Davis is dead; Reilly is studying law at Tulane University. Davis was a Black man, Reilly is White.  I am not a legal professional but as an activist, communicator and concerned citizen I see there is a severe imbalance in the American justice system, one that has been in place for far too long and that continues to devalue the lives of marginalized people like Troy Davis. 

Any person with internet access and a desire to read can see these same imbalances everyday online. We have been given access to view, almost unrestrictedly, the unjustifiable way in which Black and Brown people suffer disproportionally harsher sentences than our White counterparts.  The most severe of these are instances like Oscar Grant and Sean Bell where Black and Brown men are executed, on the spot, no trial, and no jury – just death. 

What can you do? Advocate. Share stories like this through your social networks, sign petitions, write to your state representatives asking for fair and balanced laws that determine guilt based on evidence not on race. All of the bureaucracy aside this case collectively forged a virtual stance of solidarity between people from all over the globe which is great because we are all responsible for each other as brothers and sisters of the human race. It is important to remember that no one individual is entirely exempt from injustice – we can all fall victim to an unjust system.

 


Dear CBS Outdoors, Please Do Better

Dear CBS Outdoors, Please do Better by Shanelle Matthews on Jul 6, 2011Originally posted on Ella’s Voice

Dear CBS Outdoors:

The last few weeks have been trying for me. Taking public transportation around the city I call home has become a depressing and irritating experience. I’ve been forced to look at billboards that are shaming me and women who look like me about our reproductive choices. Each time I am overwhelmed with anger and frustration that deepening your pockets comes at the expense of leaving me feeling targeted and polarized and risks my reproductive autonomy.

I used to walk the streets of Oakland with my head held high; proud to be a member of this glowing community where I felt included and accepted. Thanks to you, and the anti-choice advocates who strategically placed these billboards so my family and I would see them every day, I no longer feel that sense of pride. It has been replaced with a feeling of betrayal.

CBS Outdoors may not recognize it but your decision to aid anti-choice advocates in making me feel bad about myself and my choices is hurtful to my family and other families in Oakland. If anti-choice advocates were not also impeding Black women’s access to comprehensive reproductive health care, maybe our options would be more wide-ranging. Women from all kinds of backgrounds have to make tough decisions regarding their reproductive health including women of means, religious identified women and yes, even Black women. I’d like to proudly walk these streets again and see signage that positively reflects the feelings and livelihoods of Oaklanders.

I’d like for CBS Outdoors to take more responsibility for how your decisions affect the community and how making better choices on who you allow to purchase ad space can reveal a better more prosperous Oakland. I make the best choices I can for me and my family with the resources I have available to me. Please take a proactive approach in respecting and appreciating my decisions.

Sincerely,

Self-determined Black woman

Please visit Ella’s Voice for timely and refreshing perspectives on human rights issues.

You can also donate to the Ella Baker Center for Human Rights HERE


Another overweight, threatening, neck-rolling, weave slinging Black woman on TV … So what

Admittedly, I am not the ‘hippest’ when it comes to pop-culture. I don’t read the gossip magazines or have cable and as far as I know RHOA is an abbreviation from the periodic table. However, as a fan of alternative documentaries, I pay my $9.99/mo to Netflix for some nerdy late Friday night educational cinema. Feeling slighted by some tumultuous shit in my life over the last few months I have taken to a few lazy Sundays in bed watching shows that I promised to never subject myself to … Weeds … Grey’s Anatomy and this past weekend Season one of Glee.

Just like anyone else I love good show tunes. *insert spirit fingers*  Glee made me feel like I was back in high school; I got sucked into the characters, remembering the emotional rollercoaster that was my teen years. Toward mid-season I started feeling something, something familiar and begrudging, and something uncomfortably frustrating. It hit me that the one Black female character, Mercedes was stereotypically casted as an overweight, threatening, neck-rolling, weave slinging back up singer.

I know what you’re thinking *que the violins* because everyone on this show is an “outcast” but if you think critically about the functions of Black women in pop-culture and how we’ve been isolated to the same kind of roles for years you’ll find that this particular role confirms a stereotype that we often fear. We’ve had this discussion time and time again – about how the image of black women is being misconstrued at the expense of entertaining television but how legitimate were my feelings? Were they warranted or was I just jumping on the bandwagon of critics who didn’t think decisively about what’s being depicted and the reality that depiction portrays?

This conversation could extend to a number of discussions dissecting the validity of a several characteristics but I will stick to just one. Over the last year I’ve had the opportunity to learn about a lot about movements I haven’t had a lot of experience in like the Fat Acceptance Movement (FA). This movement started in the 1960s and encourages a societal thought shift to end size discrimination. Knowing more about this movement I am less concerned with Mercedes image as it pertains to her weight but still wondering why two thirds of Black women on TV are depicted as what we would call obese. It’s because according to the Office of Minority Health, a division of the U.S. Department of Health and Human Services, 78 percent of Black women twenty years and older are obese with a BMI of 25 and above. If this is correct, if we accept that this organization is giving us accurate information, we could consciously accept that the number of Black women depicted on TV as obese, is as it should be – so why all the fuss?

Well, that depends on how you feel about your body and the labeling of your personal being as something that you may or may not accept. If you begrudge being called fat, overweight or obese and you identify with those words/ideas, personally not just because society says that’s what you are {though I fear the lines have become irreversibly blurred} then sure, you may feel vulnerable and angry when images of Black women who look like you appear time and time again on TV.  However if you dismiss the irresponsible and careless way culture has put moral value {good/bad} on weight and size then the images of these women are not so bothersome.

Personally, I am learning to care less and less. Being self-aware to me means not taking it personal when it isn’t but it has the potential to be – if that makes sense. I recognize that Black women in America are sizably larger than their white counterparts and I recognize that pop-culture seems to accurately represent that. I don’t agree that that’s the only role Black women should play but we should appreciate that it’s not always a false depiction and it doesn’t have to be offensive because if we took more time to love ourselves as we exist we’d know that those images do not define us.

By the way … I <3 Mercedes ;)


Sundance 2011: Trailer For Goran Hugo Olsson’s THE BLACK POWER MIXTAPE 1967 – 1975

One of the more intriguing titles included in the 2011 edition of Sundance is Goran Hugo Olsson’s The Black Power Mixtape 1967 – 1975. Compiled from archival footage of the US black power movement the film offers an outsider’s perspective on events as put together using insider material and it looks as though it could result in a truly fascinating picture. A brief trailer has arrived online, check it below for a taste of what is to come.

CHECK OUT THE TRAILER HERE:   Sundance 2011: Trailer For Goran Hugo Olsson’s THE BLACK POWER MIXTAPE 1967 – 1975


QOTD

“Should we patronize questionable black films just because they’re intended for us or should we boycott what we suspect is garbage?”


No Justice No Peace! Oscar Grant Justice Rally

NO JUSTICE! NO PEACE! NO RACIST POLICE!!!

Oakland Business owners began boarding their windows as early as last night. I didn’t realize why they were doing it until l found out how bad the looting and rioting was on July 8th when Mehserle was convicted of involuntary manslaughter.

At around 2:00 pm people started congregating at Oakland City Hall for a memorial and demonstrations. People were frustrated and overwhelmed with the lack of justice served by the judicial system. Mehserle was given 2 years with time served and the prosecution was denied a new trial.

The police were out in full force. OPD has cut budgets severely in the last 24 months. According to an officer I spoke to during Oakland Pride in September, the OPD squad has been cut by half from 1200 to 600 but they weren’t taking any chances today.

The artist contributing to the memorial for Grant were phenomenal. They devoted hours of their time to constructing murals, performing songs and  displaying all around  energetic morale. Kudos peaceful people.  :)

Once the rally was over we mobilized and moved to the streets. Over 300 frustrated and justice seeking marchers began moving toward Fruitvaile BART station where Oscar Grant was gunned down on Jan 1, 2009.

The deep-seated beliefs of Black Panther Party have left their mark on the people of Oakland. The Panthers often referred to the police as pigs (the term “pig” had been used as early as the mid-1500s to refer to a person who is heartily disliked)  and as you can see here – the tradition remains.

As soon as we mobilized, the Pigs did too. They tactically and intimidatingly followed us in cars, vans, busses, in helicoptor and on foot. They eventually cornered us and  attempted to make us  turn around. FAIL! A few marchers got gutsy and tore down a fence that led through Peralta Park and onto International Blvd. Helicoptors followed us the entire way through. The Police were apparently unprepared for this detour.

We were toward the back and  as we progressed we saw the creative and passionate art of the people ahead of us. Although they made me feel all warm inside, I do not condone or support vandalism of private property

As we got closer to the crowd we realized things had gotten drastically serious. Because the police were not prepared for our makeshift route through Peralta Park and onto International Blvd they cornered the larger crowd and boxed them into a1 block radius. The rest of us were sequestered outside, barricaded off by SWAT vans and pigs. They had weapons drawn and were decked out in SWAT gear complete with disgustingly oversized billy clubs and hundreds of zip ties.

AnaLua and I stayed out until about 830. People were still anxious and frustrated. The over zealous police presence agitated the crowd. In addition to police cars and helicopters there were heavy artillery vehicles, 15 passenger police vans, SWAT armored cars, firetrucks, ambulances and even an Alameda County Sherriff bus (like the ones that transport inmates).

Over 100 protestors were arrested.

Justice was not served!

Police think because they carry a badge they have a license to kill.  FAIL!

JUSTICE FOR OSCAR GRANT!!!!

To read more about our protest CLICK HERE


Black Girls Rock!!!

 

BET has teamed up with some phenomenal women of color to salute the lives of black women!  With all-star performances by Keshia Cole, Jill Scott, Nia Long and Missy Elliot BGR is sure to set to tone for contemporary award shows.

The show airs November 7th at 8/7 Central on BET

Check out their website here!


Tyler Perry’s, For Colored Girls – Trailer

I hope this movie changes people’s perception of Tyler Perry’s “visual annihilation” against black women. I’ve been more sensitive to his plight but do believe in some respects he has done us a severe disservice.


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